YOU GOTTA HAVE HEART

While speaking to a library literature/reading group a few weeks ago, I was asked a very integral question. One which applies to anyone attempting to compose not only a mystery novel, but any work of fiction: “What’s the magic formula for writing a great story — is it plot or great characters?”

At the risk of sounding flippant, I gave the politically correct grammar school answer: “Both.” But after the chuckles and groans died down, I realized that this question is one every writer should have a ready answer to BEFORE he/she dives into writing any story, regardless of genre. Allow me to elaborate.

Writing instructors often break authors down into two different camps: those who write popular fiction (e.g. mystery, horror, suspense, crime fiction, SF, adventure, romance); and those who compose true “literature.” Quite often the difference is the simple divide between a “plot” driven story, versus a “character” driven story. And most writers seem to possess in their DNA a tilt toward one over the other. So how do we determine which is which? Simple. CHARACTER driven stories are centered around the people on the pages, and the events that happen to them. PLOT driven novels are exemplified by one major inciting event, and the characters (akin to actors) are propelled forward as a result.

While every plot-driven novel requires compelling characters to move the story forward, and vice versa for character-driven tomes (i.e. they require some plot) certain genres simply lend themselves to emphasizing one over the other. Suspense requires a compelling plot; drama is based upon character interaction.

“All great works of literature are character driven.” (Anonymous)

No one’s sure who gave us this exact quote, but with regards to many literary reviewers, it sure seems to ring true. When we think of classic literature through the ages it certainly is the case. National book awards constantly pepper their winning listings with CHARACTER driven novels. Popular crime/suspense writers like Stephen King, James Patterson, Patricia Cornwell, Michael Connelly, et all, though raking in millions in sales, still play second fiddle to “literary” writers. I’m sure they’re crying all the way to the bank.

Regardless of what you choose to write, every story needs a theme, a solid structure, a poignant plot, twists and turns, and compelling character arcs. Season it with tension, emotion, a dash of adventure, and a touch of romance. . . . Finally — and here’s the key — you must add heart. Heart is the gut-wrenching passion that seeps from the soul of the writer; it’s the single ingredient that turns an average story into a positively wonderful tale.

And thus lies the formula for a compelling read. Whether your story relies on a roller-coaster-ride of a plot, or a unique cast of charming characters, this formula is a surefire way to keep your readers turning the pages well after the church bells chime midnight.